THE TRIBUTE TO GABRIEL KNEY WAS A STUNNING MUSICAL AND CULTURAL EVENT.
The classic St. John the Evangelist church venue in which we honoured the craftsmanship of Gabriel Kney and his fellow organ buiders was the site of a remarkable fusion of great music and human endeavour. We all were spellbound by the capability of the Kney organ itself to produce the sounds from scores written years ago by Bach, Mendelssohn, Cabina and Cook when transferred to the keyboard by Michael Bloss and Angus Sinclair. The ambience of the evening was set by the welcome by Reverend Hutchison-Hounsell, and the heartfelt words about the Kney organ by music director Dr. Allan Bevin. Renée Silberman's program notes added to the understanding of the significance of the evening. The standing ovation for Micael Bloss and Angus Sinclair was shared by Gabriel Kney. Those of us in attendance recognized that this was a unique opportunity for Londoners to hear wonderful music and to honour one of our own.

OUR 2016-17 SEASON is BELOW.

LOTS OF EXCITING MUSIC IN MARCH 2017 (See the whole season on the Special News column on the right)

Friday, March 3, 8P.M. Wolf Performance Hall, Jeffrey Concerts, Simon Aldrich, clarinet, Janelle Fung, piano
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Saturday, March 4, 2017, 8 P.M., St.John the Evangelist Church, 280 St. James St., Serenata Music, A tribute to London Organ Maker Gabriel Kney,with Angus Sinclair and Michael Bloss playing the Kney organ.
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Saurdy, March 4, 7:30 P.M. Aeolian hall, London Pro Musica, with a Few Good Men.
Sunday March 5 2.00 P.M. Aeolian Hall, London Concert Band, Starburst 5 Spotlight on Youth.
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Sunday, March 5, 3 P.M. Dundas Street Centre United Church, London Community Orchestra.
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Sunday, March 5, 2 P.M. Mocha Shrine Centre, Western jazz Ensemble.
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Sunday, March 5, First St. Andrew’s Unite Church, Amabile choirs.
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Wednesday, March 8, 8P.M., Aeolian Hall, The Vienna Boys Choir
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Wednesday, March 15, 12:30 p.m.
von Kuster Hall, UWO. Adam Unsworth, Horn, Willis Deloney, piano.
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Wednesday, 15 March, 2017, 6:30 pm, Museum London, WePlayOn musicians and Payadora Tango Ensemble
Daniel Warren, conductor
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Monday, March 20, 12:30 p.m.
von Kuster Hall, UWO Peter Vinograde, pianist
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Saturday, March 25, 8 P.M. Wolf Performance Hall, Jeffrey Concerts, Marie -Josée Lord, soprano, Hughes Cloutier, piano.
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Tuesday, March 28, 8 P.M. Aeolian Hall, Tafelmusik,
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Wednesday, March 29, 12:30 p.m. Paul Davenport Theatre, UWO, Western Symphonic Band
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Thursday, March 30 8 P.M. Paul Davenport Theatre, UWO, Western Jazz Ensemble.
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Friday, March 31, 8 p.m, Paul Davenport Theatre, UWO, Western Wind ensemble.
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Please see our SPECIAL NEWS SECTION for details and tell your friends to look at our website for regular updates.


THE 2016-17 SERENATA MUSIC CONCERT SEASON

Wednesday, November 23, 2016, 8 P.M. 104 Regent St. Scott St. John, violin, James Sommerville, French horn, Peter Longworth, piano. Limited seating.

Saturday, January 21, 2017, 8 P.M., Wolf Hall. Joel Quarrington, double bass, Peter Longworth, piano.

Friday, February 17, 2017, 8 P.M.Wolf Hall. Jan Lisiecki, piano.

Saturday, March 4, 2017, 8 P.M., St.John the Evangelist Church, 280 St. James St. (at Wellington) A tribute to London Organ Maker Gabriel Kney, with Angus Sinclair and Michael Bloss playing the Kney organ.

Saturday, May 6, 2017, Wolf Hall, 8 P.M. Sarah Davis Buechner, piano.

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Wednesday, November 23, 2016, 8 P.M.


All performances at the Wolf Performance Hall, London Public Library, 251 Dundas St. London at 8 P.M., Saturdays, or 3 P.M., Sundays unless otherwise noted.

Tickets Are Available From

Online from www.OnStageDirect.com
http://www.onstagedirect.com/serenatamusic
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General Admission single ticket: $30
Student Admission single ticket: $15
Special Concerts:
General Admission: $40
Student Admission: $20

Grand Theatre London Box Office
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General Admission single ticket: $30
Student Admission single ticket: $15
Special Concerts:
General Admission: $40
Student Admission: $20

(519) 672-8800
Online at:
www.grandtheatre.com/cbo/serenatamusic

At the door: $30/15
Special Concerts: $40/20
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Biographies

Renée Silberman
Founder of Serenata Music Concerts
Renée Silberman

Founder and Director of Serenata Music Concerts



Renée Silberman, essayist on topics of musical interest, has authored program notes for performances in concert halls in Canada and the U.S. Her material accompanies all recitals on the Serenata Music Series. She has provided material for concerts at Carnegie Hall and for events at Baruch College in Manhattan. Ms. Silberman has also contributed the liner notes to many CDs, including those by Sergiu Schwartz, violin and Alec Chien, piano, by the Serafin String Quartet, and by Coenraad Bloemendal, cello, and Erica Goodman, harp.


Recognized for meticulous scholarship and a lively style (“according to Renée Silberman’s uncommonly informative program annotations….[which] shed much interesting light,” Harris Goldsmith in New York Concert Review), she creates articles richly detailed, educational and entertaining. With a background in cultural history, she places the purely musical aspects of her writings within the context of the times. She explores the interrelationship of the dynamics of cultural movements that influenced composers and the inner motivations pressing composers to seek new directions. Her research embraces subjects ranging from Purcell and English song to the art of modern French song; from the quartets of Haydn to those of Bartok and Shostakovich; from Court orchestras to concentration camp orchestras.


Renée completed biographical sketches of Maria Rosé and Gordon Jeffery, which appear in the volume London: 100 Fascinating Lives (Lorimer, Toronto, 2005). She has maintained a presence as music columnist for Beat Magazine and The London Yodeller, as a critic and as a commentator on topics of cultural interest.



Following family involvement in music production in Pittsburgh and New York, Renée began an independent career as a concert organizer. After exploring the possibility of presenting events in the 1990s, Renée developed the formal Serenata Music program, which has been in place since 2003. Her enthusiasm remains undiminished, as she sees the series move into its second decade.



Ms. Silberman is recognized for her avid support of musicians at every stage of their artistic development. She encourages music education for people of all ages. Above all, her strong belief in the thrill of live performance is the driving force behind the creation of Serenata Music and its continuing success.