TO OPEN THE SERENATA MUSIC 2017-2018 SEASON WE WELCOME BACK PIANIST DAVID JALBERT, OCTOBER 21.
David last presented his interpretation of the Goldberg Variations on our stage several years ago which thrilled the audience. He will challenge us this year as he performs an eclectic group of works by Schubert, Prokofiev, Schumann and Stravinsky. Look for his new CD of Stravinsky and Prokofiev coming October 6. For further information see http://davidjalbert.com.

We also look forward to the November 11 presentation of The Terezin Project, music banned by the Nazis presented by the Clarion Quartet all of whom are members of the Pittsburgh Symphony Orchestra. Londoner Jennifer Orchard, violin, has organized this seasonally relevant program. See http://clarionquartet.com for more information.

THE SERENATA MUSIC SEASON IS LISTED BELOW.

LOTS OF EXCITING MUSIC IN SEPTEMBER 2017 (See the whole season on the Special News column on the right)

Saturday, Sept. 16, 1 to 9 P.M., Sunday, Sept.17, 1 to 7 P.M., Victoria Park, Bands 150 Big Band Festival.
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Saturday, September 16, 7:30 Metropolitan United Church, London Symphonia, Scott St. John, violin.
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Friday, Sept. 29, 2017, 7:30 P.M.St.Lukes Anglican Church, Magisterra Soloists, Triple Threat

Please see our SPECIAL NEWS SECTION for details and tell your friends to look at our website for regular updates.


THE 2017-18 SERENATA MUSIC CONCERT SEASON

Saturday, October 21, 2017,
8 P.M. David Jalbert, piano.

Saturday, November 11, 2017, 8 P.M. The Clarion Quartet.

Saturday, February 24, 2018,
8 P.M. Tom Allen, CBC broadcaster (Shift, CBC Radio 2) and Musical Storyteller, and Lori Gemmell, harp.

March 17, 2018, 8 P.M. The London Connection 3

Like us on Facebook: Serenata Music or Twitter: @serenataconcerts.
Wednesday, November 23, 2016, 8 P.M.


All performances at the Wolf Performance Hall, London Public Library, 251 Dundas St. London at 8 P.M., Saturdays, or 3 P.M., Sundays unless otherwise noted.

Tickets Are Available From

Online from www.OnStageDirect.com
http://www.onstagedirect.com/serenatamusic
Credit Card
General Admission single ticket: $35
Student Admission single ticket: $15
Special Concerts:
General Admission: $45
Student Admission: $20

Grand Theatre London Box Office
Credit card; Cash, Debit at Box Office.
General Admission single ticket: $35
Student Admission single ticket: $15
Special Concerts:
General Admission: $45
Student Admission: $20

(519) 672-8800
Online at:
www.grandtheatre.com/cbo/serenatamusic

At the door: $35/15
Special Concerts: $45/20
Mailing list
If you would like to be added to our email list please go to the contact page and send an email with your name and email address.
Group rates for Music Teachers and students are available by contacting Serenata Music by email or telephone (519) 433-8332
 

Biographies

Charles Neidich
Clarinetist
Charles Neidich (U.S.A.) Hailed by the New Yorker as "a master of his instrument and beyond a clarinetist”, Charles Neidich has been described as one of the most mesmerizing musicians performing before the public today. He regularly appears as a soloist and as collaborator in chamber music programs with leading ensembles including the Saint Louis Symphony, Minneapolis Symphony, Orpheus Chamber Orchestra, I Musici di Montreal, Tafelmusik, Handel/Haydn Society, Royal Philharmonic, Deutsches Philharmonic, MDR Symphony, Yomiuri Symphony, National Symphony of Taiwan, and the Juilliard, Guarneri, Brentano, American, Mendelssohn, Carmina, Colorado, and Cavani String Quartets.

Mr. Neidich has performed throughout Europe, Asia, and the United States, and is a sought after participant at many summer festivals such as the Marlboro and Sarasota festivals in the USA, the Orford and Domaines Forget festivals in Canada, BBC Proms in England, Festival Consonances and Pontivy in France, Corsi Internazionali di Perfezionamento in Italy, Kuhmo, Crusell Week, Turku, and Korsholm festivals in Finland, the Apeldoorn Festival in Holland, Music from Moritzburg in Germany, the Kirishima and Lilia summer festivals in Japan, and the Beijing Festival in China.

When Charles Neidich began studying clarinet with his father, Irving Neidich at the age of 7, he had already started piano lessons with his mother, Litsa Gania Neidich. He continued studying both instruments, but the clarinet gradually won out, and he went at the age of 17 to continue studying with the noted clarinet teacher, Leon Russianoff. After 4 years at Yale University where he majored in Anthropology, Charles Neidich went to the Moscow State Conservatory as the first recipient of a Fulbright grant to study in the Soviet Union. He studied in Moscow for 3 years as a student of the clarinetist, Boris Dikov, and the pianist, Kirill Vinogradov.

Known as a leading exponent of period instrument performance practice (he is the founder of the noted period instrument wind ensemble, “Mozzafiato”.) Charles Neidich was one of the first soloists to improvise cadenzas and ornament classical concertos. He has performed his restoration of the Mozart Concerto throughout the world both on modern and period instruments. Mr. Neidich has been influential in restoring original versions of works and bringing them before the public. A list of the clarinet classics he has restored to their original form includes works as diverse as the previously mentioned Mozart Concerto, Concerti of Weber and Copland, the Soireest cke of Robert Schumann and the Andante and Allegro of Ernest Chausson.

Mr. Neidich is also an ardent exponent of new music and has premiered works by Milton Babbitt, Elliott Carter, Edison Denisov, Helmut Lachenmann, William Schuman, Ralph Shapey, Joan Tower, Katia Tchemberdji, Vasilii Lobanov and others. He has championed John Corigliano's Concerto, performing it throughout the United States notably with the Syracuse and Jacksonville Symphonies in performances many have called definitive.

His recordings are available on the Sony Classical, Sony Vivarte, Deutsche Grammophon, Musicmasters, Hyperion, and Bridge labels. For Aaron Copland's centennial, he released the world premiere recording of his reconstruction of the original version of Copland's Clarinet Concerto with “I Musici di Montreal” for the Chandos label. Mr. Neidich has turned his attention in a serious way to conducting, and has appeared with the Avanti chamber Orchestra, Tapiola Sinfonietta, Helsinki, at the B'stad Festivalin Sweden, the Kirishima Festival in Japan, with the New World and the San Diego Symphonies (in a triple role of conductor, soloist, and composer), and in Bulgaria with the Plovdiv State Philharmonic.

Very active in education, Charles Neidich is on the faculties of the Juilliard School, Queens College of the City University of New York, the Manhattan School, and the Mannes College of Music, and has held visiting positions at the Sibelius Academy in Finland, the Yale School of Music, and Michigan State University. He is in demand for master classes around the world and for innovative lecture concerts he has devised such as "Old is New: how playing old music on period instruments is like playing new music on modern instruments," and "Craft and Drama: how understanding how Brahms composed makes for a more compelling performance."

With his wife, Ayako Oshima, he has published a book on the basics of clarinet technique for the Japanese publisher, TOA Ongaku inc. Last Spring, Charles Neidich was the recipient of the William Schuman Award given by the Juilliard School for outstanding performance and scholarship.

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